ISM

HORIZON -Boundary

In the mid-1960s, he chose a production site in the Palau Islands of Micronesi (then, the United Nations Mandate of the United Nations, now the Republic of Palau) and tried several trips. He turned to the coral state in the horseshoe atoll of the Kayangel Is Islands, which is located at the northern end, and faced the deep ultramarine sky. The result was not enough to reach a conclusion that survived the photographic expression, but I was able to instantly feel the image that I would have stared at the realm of the abstract (boundary) concept, though it was vague. The creed of expression is to scrape off and then scrape off and simple. Based on this ‘structure’, when I try (experiment) the realization of an object (infinite edge/abstract) that cannot be seen (touched), I draw a circle in the sky of lapis lazuli in my heart. Cut out (take)”Hitohira”. It is assumed that the infinite edge (abstract) appears at the boundary between the infinite edge (absolute) of the sky and the infinite edge (relative) of the’Hitohira’. If I dare to insist on this infinite edge space-time (theory) and replace it with my photographic theory, I would like to make photographic expression the final destination of the purpose with abstraction, that is, the essence (elegance) of my structure. When attempting photographic expression / exhibition (photograph expression is a relative concept of creation including exhibition) on the premise that “photograph (video) is an event image of a two or three dimensional expression thing (person/thing)”, it is usually You cannot escape from the processing of the’frame'(edge​​/edge) concept. If the frame of the infinite edge, the outer circumference of the cut-out person’s palm (one side/one corner), that is, the peripheral edge that is bound and attached to the work is called’砌'(* Migiri), it should be attached to the outer circumference of the cut-out side. Or is it something that remains incidental to the infinite edge space-time (∞) relative side? (September 30, 1984, the first edition of by Atsushi Mori from Chikuma Shobo. It must have been the origin of my creative coordinates. The abstraction and boundaries cleared up overnight. It was exactly the encounter with the book on the right.) HORIZON-Boundary is assumed to be an ideal photographic expression structure (expressed in a digital three-dimensional space), and this short sentence is advanced. I would like to abandon the concept of the edge (forehead) of the two-dimensional expression after making it a photographer’s personal matter (in my case). I want to be a’sword’only with a simple infinitely connected abstract concept. The HORIZON-Boundary (photographic expression) presented was digitally presented by prototyping the relative and absolute expressions with an infinitely connected abstraction (included). Another point, why did Boundary (horizontal line) be expressed in multiples on the right shoulder? Biologically (physiologically), if one example is presented, a right-handed person draws a line horizontally to the right with chalk on a blackboard or the like. For some reason, the line should rise slightly to the right of the plate, so please try it. Next, I thought that the reason for the expression with multiple images could be to amplify the recognition of the horizontal HORIZON-Boundary image (lens engineering / optics). The technique of moving the Box camera horizontally in a stepwise manner and connecting the HORIZON-Boundary (horizontal cognition) with a longer span has also led to an adventurous spirit for photographic artists. Can you open up one side and get an understanding of the achromatic parting’砌’that does not surround you? Virtually define an indoor space image of a three-dimensional space, ideally a . I want to create a bright, translucent, daylight color, and an unspecified angle light source. An image of flying into outer space, where HORIZON-Boundary is placed (laid out) with a specific rhythm. Float in the ghost as a shadowless creative object. Infinite edge that cannot be seen (touched) HORIZON-Boundary The concept of boundary structure is simply represented by photographic expression. I wrote down the sense of mission of the artist. As an artist, I definitely want to try this installation HORIZON-Boundary. * Source “Migiri” ・ Water limit (Migiri) waterside ・ Shoryoshu, 9 “Look at the Engatsu in — ” ・ Place, placeside (Ki) Wow, Giwa) ・ Shinmura Izuru ・ Kojien ・ 1993 edition * Translated by google Photograph expression, ARAMASA Taku 2022/06/18

HORIZON -Boundary

1960年代半ばミクロネシのパラオ諸島(当時、国連管理統治アメリカ委任領・現パラオ共和国)に制作現場を選び数度の旅を試みた。北端に位置するカヤンゲル(Kayangel Is)諸島の馬蹄環礁内に浮かぶ珊瑚州に仰向き、あくまでも深い群青の天空と対自していた。結果は写真表現に生きぬく結論には至らずじまいだったが、朧げながらも抽象(境界)概念の領域を凝視したであろう実感を瞬時だが其のイメージを感受できた。

削ぎ落とし、更に削ぎ落としシンプルを表現の信条とする。この’構造’を踏まえたうえで、視る(触る)こと叶わぬ対象(無限縁・抽象)の具現化を試(実験)みるとき、私はラピスラズリの天空に一条の円を心中に描きその’ひとひら’を切りぬき撮(摂る)る。

天空の無限縁(絶対)と切り撮った’ひとひら’の無限縁(相対)の境界は、無限縁(抽象)が出現すると仮定する。この無限縁時空間(論)をあえて強辯し、我が写真論に置換するならば、写真表現は抽象をもって目的の最終到達点、即ち我が構造の真髄(上品)としたいのだ。

「写真(映像)はあくまでも二~三次元の表現事物(者・物)の事象像である」を前提として写真表現・展示(写真表現は展示までを含む創作の相対概念)を試みるとき、通常’枠’(縁・へり)概念の処理から逃れることができぬ。
無限縁の枠、切り撮ったひとひら(一辺・一隅)の外周つまり作品内に綴じ込められ付随する周縁を’砌’(*みぎり)とするならば、切り取った一辺の外周に付随すべきなのか、無限縁時空(∞)相対側に付随残存するものなのか。

(1984年9月30日、筑摩書房より 森 敦 著〈意味の変容〉初版がさる。私の創作座標の原点にあったであろう 抽象・境界<けいかい>が一夜にして明快に晴れ渡った。まさに座右の書との遭遇であった。)

HORIZON-Boundaryを理想的写真表現の構造と想定(デジタル三次元空間に表現展示)してこの小文を進める。

写真家の私事(私の場合)としたうえで、二次元表現物の縁(額)概念を破棄する事としたい。シンプルな無限縁なる抽象概念のみの’砌’でありたい。提示したHORIZON-Boundary(写真表現)に無限縁なる抽象の砌をこめ(内包)て表現の相対・絶対を試作してdigital提示をした。

もう1点、何故 Boundary(水平線)を右肩上りに複数での表現にしたのか。
生物学的(生理学)に、ひとつの事例を提示すれば、黒板などに右利きの人がチョークで一本の線を右方へ水平に一筆描くとする。何故かその線は版面に対しやや右肩上がりになってしまうことがおゝいはずだ、試して頂きたい。つぎに複数枚での表現の事由は、より水平 HORIZON-Boundaryイメージの認知を増幅(レンズ工学・光学)できると考えた。Boxカメラを段違いに水平移動させ、より長いスパンで右肩上がりHORIZON-Boundary(水平認知)をつなぎ撮る技術は写真表現者にとっての冒険心を誘うことにも繋がった。

一辺を開放させ、囲みきらぬ無彩色の見切り’砌’、理解を戴けるだろうか。
三次元空間、理想的には<螺旋キューブ状(管径10m程)>の屋内空間イメージを仮想定する。明るく・半透明・昼光色、角度無特定の光源を創造したい。宇宙空間へ飛翔するイメージ、そこへHORIZON-Boundaryを特定のリズムで配置(レイアウト)する。影を持たぬ創作物体として幽玄に浮遊させる。

視る(触る)こと叶わぬ無限縁 HORIZON-Boundary境界構造概念を写真表現でシンプルに表象する。表現者終末の使命感をこゝにメモした。表現者として是非にもこのインスタレーション HORIZON-Boundaryを試みたい。

*出典「砌」(みぎり)・水限(みぎり)水際 ・性霊集、九「_の中の円月(えんがつ)を見て」・所、場所際(きわ・ぎわ) ・新村出編・広辞苑・1993年度版

写真表現・新正 卓 2022/06/13 12:00